racial authenticity and the Linsanity

I’m writing a longer piece about Jeremy Lin’s media sensation and its implications, but wanted to post a few of my notes on what I call the Linsanity:

As a Taiwanese American, a basketball fan since the glory days of the Portland Trailblazers, and a Harvard graduate, I would be remise not to have heard of Jeremy Lin. Through friends and occasional reports, I followed his career off and on before it became the media sensation that became the Linsanity this past February.

Like many others, I am excited at his recent NBA success. Having spent my share of time in gyms and playground pick-up games trying to play point guard, I have also been amused by the superficial similarities—including the deficiencies—of his play and my attempts at the same. It remains to be seen if he can maintain his high level of play through this season and beyond, but Lin has already demonstrated that he is more than capable and belongs on the court.

At the same time, I was also disturbed by aspects of the Linsanity, including Asian American commentary, and what it expressed about race and its contours within public discourse. Sports is an enormous and significant segment of our popular culture, but in relating its history, race apparently still requires a particular note of authenticity.

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circulation, sales, and distribution

In Astounding Days, his autobiographical reminiscence of a youth reading science fiction, Arthur C. Clarke recalled that English fans learned that Woolworth’s was the best place to find the pulp magazines where the stories they wanted to read. “According to legend, all these ‘Yank pulps’ invaded the United Kingdom as ballast in returning cargo ships. Presumably it was worth disposing of unsold issues in this way, rather than recycling the paper.” Colorfully entertaining, Clarke’s recollection also illustrated the incidental—and often unseen and unconsidered—consequences of distribution for publishing’s sales and circulation.

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